Meredith
aleigha
wells
Actor + Writer
Own Your Magic,
Expand Your World
Meredith Aleigha Wells is a groundbreaking actor and writer best known for making history as the first wheelchair user to perform in a Broadway National Tour. Their work has been honored with nominations from the Walder Foundation and 3Arts Chicago, as well as the Purple Skies Playwright Award for their original one-person musical, Dysfunctioning Just Fine.
A versatile multidisciplinary artist, Meredith has performed regionally in productions at The Muny, The Kennedy Center, Seattle Rep, Music Theatre Works, Beck Center, and Cleveland Public Theatre. They have also made appearances at St. Ann’s Warehouse, Joe’s Pub, New York Theatre Workshop, The Macy’s Thanksgiving Day Parade, and the Luminous Festival in Beijing, China.
In an age when algorithms and the attention economy perpetuate black-and-white thinking and divisiveness, Meredith is committed to using storytelling to remind us that we are all interconnected and that the human condition is much more nuanced.
Featured Projects
Through the Sunken Lands @ The Kennedy Center
“Meredith Aleigha Wells employed superb technique as Artemis, skillfully conveying complicated plot points (both spoken and sung) with energy and clarity.”
-DC Theatre Arts
Sister Act @ The Muny
“Wells is a full and vibrant participant in the exhilarating choreography by director Denis Jones.”
— HEC Media
“a star-making performance by wheelchair-user Meredith Aleigha Wells”
— Pop Life STL
How the Grinch Stole Christmas! National Tour
“Wells's scenes were super-heartwarming and Wells fit in so well with the musical dance numbers.”—BroadwayWorld
The Little Mermaid @ Music Theatre Works
“Watch especially for Meredith Aleigha Wells. They use a wheelchair, and from that chair, bring Flaster’s choreography to life with grace, verve, and enough energy and spark to power eels.”
— Chicago Reader
Teenage Dick @ Seattle Rep
“They are a wheelchair user and I must say that after the first view of their work, I lost sight of the fact that they were in one.”
— Around The Town Chicago
“Immediately after the lights went down on Teenage Dick, there was complete and utter silence in the theater. Seattle Repertory Theatre has managed to make Richard III, one of Shakespeare’s many boring histories, worthy of stunned silence.”
—TeenTix
Performance Reels
Contact
THEATRE/TV/FILM:
Arise Artist Agency
310-893-0216 Ext. 3
Katie.McGrath@ariseaa.com
Kelleigh.Levesque@ariseaa.com